Faded: A New English Country Dance

Song: "Faded" by Alan Walker

Video of this arrangement: Faded - Alan Walker - String Quartet Cover

Choreographed by me for my event Jane Austen's 250th Birthday Ball, which I held on December 16, 2025.

If you want to use my introduction and/or choreography, contact me beforehand to tell me about it and then give me credit. :) 

I love electronic dance music and Alan Walker, and this song is one of the greatest EDM hits of all time: the music video has over 3.9 billion views on YouTube. This song is perfect for Persuasion! If I had commissioned Alan Walker to make a song for my ball for Persuasion, this would have been it.

How I introduced this dance at my ball

This is our dance for Persuasion. “Faded” fits the time after Anne and Captain Wentworth’s broken engagement before they come back into each other’s lives. Here is an excerpt from the novel:

“A few years before, Anne Elliot had been a very pretty girl, but her bloom had vanished early; and as even in its height, her father had found little to admire in her, (so totally different were her delicate features and mild dark eyes from his own), there could be nothing in them, now that she was faded and thin, to excite his esteem.”

Here is an excerpt from the lyrics. Imagine the speaker is Anne, and the “you” is Captain Wentworth.

Where are you now?

Atlantis
Under the sea
Where are you now?
Another dream

I'm faded

Faded

Longways proper
Three couple
Chassé and chassé setting steps

Introduction
  • 16 beats: Honor your partner.
    • Gentlemen bow and Ladies curtsy.
Verse
Pre-chorus
  • 32 beats: En Passant. 
    • Always passing right shoulders, 1s go behind your 2, below the opposite 3, below your 3, behind the opposite 2, back to places.
Chorus
Repeat whole dance (verse, pre-chorus, and chorus) from progressed position.

Note: You will need an ASCAP license to use the song for your event if it qualifies as a public performance (check with ASCAP) and your venue does not have a blanket license (check with your venue).


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